Part of a larger guide

This article is part of our comprehensive guide Content as Entertainment: The Framework That Separates Memorable Campaigns from Forgettable Ads, where we present the 4-principle framework for creating branded content audiences choose to consume.

February 1: Sabrina Carpenter performs “Manchild” at the 68th Grammy Awards in front of millions of viewers.

January 14 - February 3: Teasers for her Pringles campaign generate 562,800+ TikTok likes and 26,000+ new Instagram followers for the brand.

February 8: The “Pringleleo” ad airs during Super Bowl LX to 127+ million viewers.

That timeline isn’t coincidence. It’s the most precise execution of cultural timing we’ve seen in Super Bowl advertising.


The Taylor Effect: why a pop star is the perfect Super Bowl choice

To understand why Pringles chose Sabrina Carpenter, you need to understand what happened to the Super Bowl audience.

Taylor Swift changed who watches the Super Bowl

Taylor Swift’s relationship with Travis Kelce didn’t just generate headlines. It transformed NFL demographics. Female viewership of American football grew significantly since 2023, with Kansas City Chiefs games registering notable increases when cameras showed Swift in the stands.

Mars Snacking didn’t ignore this data. Diane Sayler articulated it directly: the notion that “sports are for guys” is obsolete. The Super Bowl is now a cultural event attracting gender-diverse viewership. And that diversified audience wants content that reflects their interests, not just football and beer.

Carpenter as an extension of the Swift ecosystem

Sabrina Carpenter isn’t Taylor Swift. But she belongs to the same cultural ecosystem:

When Mars cited “the Taylor Effect” as strategic context, they weren’t using a buzzword. They were identifying a real demographic shift and choosing a celebrity who fits perfectly within it.


The Grammy-to-Super Bowl Pipeline

The week between the Grammys and the Super Bowl wasn’t accidental. It was a cultural launch ramp.

Carpenter’s trajectory: from Disney to $29 million

Context matters. Sabrina Carpenter didn’t arrive at the Super Bowl from nowhere. She arrived at the peak of an extraordinary growth curve:

2014
Early career
Disney Channel (Girl Meets World), 4 commercially modest albums
2024
”Espresso” (April)
#3 Hot 100, #1 UK for 7 non-consecutive weeks, 2 Grammy Awards
”Please Please Please”
#1 Hot 100
Short n’ Sweet
#1 Billboard 200, Platinum in 35 days
2025
Streams
73M (H1 2022) → 1.9 billion (H1 2025)
SNL (October)
Host and musical performer
Man’s Best Friend
Second consecutive #1 album
Earnings (Forbes)
$29 million
Social media followers
~108 million

Pringles didn’t choose a rising star. They chose a star at the exact inflection point — where critical mass of cultural recognition combines with career momentum.

Grammys February 1, Super Bowl February 8

Carpenter’s Grammy performance wasn’t a separate event from the Pringles campaign. It was the first act of a narrative arc:

  1. Grammys (February 1): Carpenter performs “Manchild” to a national audience. The audience has her name, her face, her energy fresh in mind.
  2. The week between: The cultural conversation about Carpenter is at its peak. Pringles teasers capitalize on that existing attention.
  3. Super Bowl (February 8): The ad airs when the audience is already primed. They don’t need to “discover” who Sabrina Carpenter is. They already know.

That’s what cultural timing does: it reduces cognitive friction. When the audience is already thinking about Carpenter, the ad doesn’t need to introduce her. It can go straight to the story.


The Gen Z insight: “Is having a boyfriend embarrassing now?”

Cultural timing wasn’t just chronological. It was thematic.

The origin of the concept

Diane Sayler revealed that the entire concept was born from a cultural insight: a magazine headline reading “Is having a boyfriend embarrassing now?”

That headline captures a real sentiment in Gen Z culture:

Sayler connected the insight to the brand: “Dating is hard, relationships are hard. Pringles is simple.”

Why this insight works specifically with Carpenter

Carpenter has built her career on this exact cultural territory:

When Carpenter builds an ideal boyfriend out of Pringles because real men are disappointing, it doesn’t feel like an agency script. It feels like something she’d say in her own life.

The retro aesthetic as amplifier

The ad is set to Fred Buscaglione’s “Guarda che luna,” giving it a deliberately retro, French New Wave feel. This choice wasn’t decorative:


The multi-week teaser strategy: four waves of engagement

The Super Bowl stopped being a one-day event. The smartest brands treat it as a campaign arc that spans weeks.

The complete timeline

January 2026
Wave 1 — January 14: first teaser
The teaser drop generated immediate buzz. Anticipation ignited.
Wave 2 — January/February: social rollout
Additional teasers and progressive social content. The “He loves me, he loves me not” clip (personally chosen by Carpenter) became the most shared piece. The TikTok teaser on @teamsabrina accumulated 562,800+ likes and 2,558+ comments.
February 2026
Wave 3 — February 3: full ad
The complete 30-second ad was published online six days before the Super Bowl. An extended 60-second cut premiered exclusively through The Hollywood Reporter, featuring additional scenes that pushed the humor further.
Wave 4 — February 8: Super Bowl broadcast
The ad aired during the third quarter to 127+ million viewers. But by this point, the audience had already seen it, commented on it, and generated memes about it. The broadcast wasn’t the launch. It was the culmination.

Why this works better than the “single moment” model

The traditional Super Bowl model: air the ad, pray for virality, measure the next day.

The Pringles multi-week model:

Sarah Reinecke, Mars SVP, noted the social rollout generated 26,000+ new Instagram followers for Pringles in January alone. That’s before the ad aired during the game.


Applying cultural timing to your brand

You don’t need a Super Bowl. You need to understand your audience’s cultural cycles and align your content with them.

Map your audience’s cultural moments

Every audience has a cultural calendar. Identify yours:

For LATAM audiences:

For global/US audiences:

Build your own “Grammy-to-Super Bowl pipeline”

The principle is simple: identify Event A that primes your audience, and launch your campaign at Event B that capitalizes on that attention.

Example for a fashion brand in LATAM:

  1. Event A (prime): Artist wears your brand at the Latin Grammys
  2. Interim period: Teasers, social content, behind-the-scenes
  3. Event B (campaign): Collection launch during fashion week or next cultural moment

The anticipation ramp strategy

Don’t launch everything at once. Build waves:

  1. Week -4: First teaser (generate expectation)
  2. Week -3 to -1: Progressive content (build anticipation)
  3. Week 0: Full launch (capitalize on accumulated attention)
  4. Week +1: Extension content (keep the conversation alive)

Each wave feeds the next. The result is a campaign arc that lives for weeks instead of dying in hours.


Cultural timing isn’t luck. It’s strategy.

Your audience’s cultural moments are predictable. Mapping them and aligning your content with them is what separates a campaign from a cultural moment. At Mazkara Studio we build cultural calendars and launch strategies that turn your content into part of the conversation. Get your free consultation to map your next cultural moments.


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Know your audience’s next cultural moments? At Mazkara Studio we map your cultural calendar and build campaigns that arrive at exactly the right time. Get your free consultation →